Tracy Lane

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Nuisance — “Halfway Home”
Heartbreak Show
The Rage Crusade Merch

Tracy Lane

Tracy LaneTracy LaneTracy Lane
Home
Nuisance — “Halfway Home”
Heartbreak Show
The Rage Crusade Merch
More
  • Home
  • Nuisance — “Halfway Home”
  • Heartbreak Show
  • The Rage Crusade Merch
  • Home
  • Nuisance — “Halfway Home”
  • Heartbreak Show
  • The Rage Crusade Merch

Heartbreak Show

A crowded outdoor party at night with people socializing under string lights.

Mission

 

  Developed positioning strategy for a live music event targeting college nightlife audiences, aligning messaging and promotion with audience behavior and preferences. Show date:  February 28th, 2025

A blue electric guitar player performs on stage with an attentive crowd.

Strategy

 

  • Positioned the event as a safe, accessible nightlife experience for college students, emphasizing community and local music culture 
  • Recruited local and recognizable bands onto ticket such as Nuisance
  • On campus promotion with on-the-street style interviews
  • Poster distribution across campus to increase visibility 
  • Coordination with artists and label members leading up to the event 

My Role

 

  • Participated in meetings to develop the event concept, promotional approach, and featured bands
  • Contributed to discussions around how the event would be positioned and promoted to a college audience 
  • Recruited one of the performing artists (Nuisance) to Thunderegg Records, contributing to the show’s lineup 
  • Consulted with Nuisance band about maximizing presence at show and using it for momentum of upcoming EP release
  • Built relations with venue host of "The White House"
  • Assisted with ticket sales at the door
  • Supported on-the-ground promotion by distributing posters


Why?

 While traditional college party life was already active, we identified an opportunity to position the event as a safer, more approachable alternative within that environment. This meant prioritizing in-person promotion—through posters and on-campus interviews—over relying heavily on social media, allowing us to meet people where they already were and reduce friction around attending. We also used those in-person interactions to capture short-form content, turning real student perspectives into promotional material that felt more authentic and relatable. 


Execution

Show Posters

Designed by Tarini Ramasamy. Distributed around the campus of UO by Thunderegg Records.

In-Person Promotion & Short-Form Content

 Kelly Kraft on-the-street interviews with students

Instagram Reel

Band Promotion Posters

Design by Peter Repins. Used to announce which bands would be in the lineup.

Results

341 Tickets Sold

242 shares across all flyer posts on Instagram

$2,366 Total Revenue

 55 presale tickets sold: $220 in revenue before doors opened. Nuisance averaged only 10-30 presales before Heartbreak Show. (as per Noah Gould of Nuisance).

$2,366 Total Revenue

242 shares across all flyer posts on Instagram

$2,366 Total Revenue

242 shares across all flyer posts on Instagram

242 shares across all flyer posts on Instagram

Plenty of content captured for future promotion of the label and bands

Plenty of content captured for future promotion of the label and bands

Plenty of content captured for future promotion of the label and bands

Plenty of content captured for future promotion of the label and bands

Credits to Peter Repins and Maura McNeil

Plenty of content captured for future promotion of the label and bands

Numbers provided by Thunderegg Records and Nuisance. 

Execution Credits

Social Media Management and Content

Social Media Management and Content

Social Media Management and Content

 Peter Repins

Poster Designs

Social Media Management and Content

Social Media Management and Content

Tarini Ramasamy and Peter Repins


Distribution and Print

Social Media Management and Content

Distribution and Print

 Rachel Thomas and Thunderegg Records


Contract Coordination

Contract Coordination

Distribution and Print

Peter Repins and Maevis Sanders



Band Coordination

Contract Coordination

Band Coordination

Rachel Thomas



Live Sound

Contract Coordination

Band Coordination

Jonathan Tom



Additional Strategy credits to staff of Thunderegg Records

Additional Strategy credits to staff of Thunderegg Records

Additional Strategy credits to staff of Thunderegg Records

Peter Repins, Tracy Lane (myself), Tarini Ramasamy, Mia Fairchilds, Rachel Thomas, Jonathan Tom, Maevis Sanders, and Mia Fairchilds



Copyright © 2026 Tracy Lane Work - All Rights Reserved.


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